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Becomes clear a full description of Pitch Black below:
- Original Title : Pitch Black
- Movie title in your country : Pitch Black
- Year of movie : 2000
- Genres of movie : Thriller, Science Fiction, Action,
- Status of movie : Released
- Release date of movie : 2000-02-18
- Companies of movie : Interscope Communications,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 108 Min
- Average vote of movie : 6.7
- Youtube ID of movie : RU3eJmbyqzA
- Translation of movie : TR,DE,UK,FR,RU,CS,DA,NL,SV,ZH,PL,EL,FI,BG,TH,KO,HE,PT,IT,PT,HU,SK,EN,ES,JA,ZH,FR,
- Cast of movie :John Moore (John 'Zeke' Ezekiel), Cole Hauser (William J. Johns), Claudia Black (Shazza), Rhiana Griffith (Jack / Jackie), Sam Sari (Hassan), Keith David (Abu "Imam" al-Walid), Firass Dirani (Ali), Radha Mitchell (Carolyn Fry), Angela Moore (Dead Crew Member), Ric Anderson (Total Stranger), Simon Burke (Greg Owens), Les Chantery (Suleiman), Vin Diesel (Richard B. Riddick), Vic Wilson (Captain Tom Mitchell), Lewis Fitz-Gerald (Paris P. Ogilvie)
Pitch Black is the foremost movie created by Interscope Communications, which features a description of the movie is "When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.". The film was produced with excellent graphic quality, best quality of sound and best starring actors.
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Sound Designer : Tom Myers, Hairstylist : Carolyn Nott, Hair Supervisor : Margaret Stevenson, Studio Teachers : Cameron Curphey, Color Timer : Dan Muscarella, Dialogue Editor : Karen G. Wilson, Screenplay : Ken Wheat, Thanks : Jonathan Bader, Visual Effects Supervisor : Peter Chiang, Executive In Charge Of Production : Michelle Wright, Executive Producer : Ted Field, Grip : Leigh Tait, Third Assistant Director : Peter McLennan, Assistant Art Director : Jim Millett, Local Casting : Ann Robinson, Second Unit Cinematographer : Ian 'Thistle' Thorburn, Visual Effects Editor : Karen Dimmig, Screenplay : David Twohy, Camera Operator : Derry Field, Production Coordinator : Barrie Hemsley, Storyboard : Fireball Tim Lawrence, Set Designer : Jacinta Leong, Production Accountant : Chris Robson, ADR Editor : Marilyn McCoppen, Story : Ken Wheat, Executive Producer : Tony Winley, Painter : Chris Geissman, Sound Effects Editor : Samuel H. Hinckley, Special Effects Supervisor : Brian Cox, Assistant Sound Editor : Mary Works, Prosthetic Makeup Artist : Jason Baird, Costume Design : Anna Borghesi, Painter : Stephen Hay, Assistant Editor : Cleo Myles, Assistant Sound Editor : Michael Axinn, Gaffer : Tony Holtham, Orchestrator : Tim Simonec, Thanks : Michael A. Helfant, Executive Producer : Scott Kroopf, Assistant Sound Editor : Scott Guitteau, Set Decoration : Michael Rumpf, Propmaker : David Tremont, ADR Editor : Michele Perrone, Sound Effects Editor : James Lebrecht, Set Designer : Martin Ash, Creature Design : Patrick Tatopoulos, Boom Operator : Gary Dixon, Standby Painter : Chris Goddard, Best Boy Electric : Adam Williams, Sound Effects Editor : E. Larry Oatfield, Assistant Editor : Danny Candib, Makeup Supervisor : Margaret Stevenson, Unit Publicist : Fiona Searson, Casting : Anne McCarthy, Steadicam Operator : Brad Shield, Dialogue Editor : Lindakay Brown, Legal Services : Peter Thompson, Casting Assistant : Carrie Campbell, Storyboard : Jason Brubaker, Costume Supervisor : Keryn Ribbands, Leadman : Daryl Porter, Producer : Tom Engelman, First Assistant Editor : Andrew Blustain, Casting Assistant : Wizzy Ringer, Sound Design Assistant : David C. Hughes, Construction Foreman : Mark Stephens, Unit Production Manager : Sue MacKay, Camera Operator : Henry Pierce, Still Photographer : Sean Barnes, Stunt Coordinator : Chris Anderson, Script Supervisor : Lyn Alice Aronson, Makeup Artist : Maree McDonald, Art Department Coordinator : Katie Nott, Dialect Coach : Clair Crowther, Location Manager : Campbell McLean, Dialogue Editor : Gloria D'Alessandro, Production Design : Graham 'Grace' Walker, Casting : Mary Vernieu, Sound Re-Recording Mixer : Lora Hirschberg, Second Assistant Director : Jennifer Rees-Brown, Sculptor : Tony Lees, Art Direction : Ian Gracie, Director : David Twohy, Screenplay : Jim Wheat, Assistant Sound Editor : Beau Borders, Storyboard : Brian Murray, Post Production Supervisor : Graham Stumpf, Foley Editor : Mary Helen Leasman, Set Dressing Artist : Scott McMaster, Story : Jim Wheat, Music Editor : Joshua Winget, Sound Re-Recording Mixer : Michael Semanick, Music : Graeme Revell, Boom Operator : Rod Conder, Property Master : Beverley Dunn, Camera Operator : Brad Shield, Armorer : Allan Mowbray, Sound Recordist : Paul 'Salty' Brincat, Editor : Rick Shaine, Supervising Sound Editor : Robert Shoup, Casting Assistant : Freddy Luis, Director of Photography : David Eggby, Construction Coordinator : John Rann, Standby Painter : Wayne Truce, First Assistant Director : Jamie Crooks
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Tags: darkness, dystopia, comet, alien life-form, survival, eclipse, flask, corps,
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